The debut issue of Shutterclank! featured a unique and international selection of talent, presenting a wide range of photographic themes. Click on the links to find out more about the artists.
Texas-born, San Francisco exiled, and confirmed tramp, Bill Daniel continues to experiment with survivalism and bricolage in his attempts to record and report on the various social margins he finds himself in. Currently based on the Texas gulf coast, Daniel divides his time between Texas and touring.
Daniel’s work has received awards from Creative Capital, Film Arts Foundation, The Pioneer Fund, Texas Filmmaker Production Fund, the R & B Feder Charitable Foundation, and The Western States Media Alliance. He was a Wattis Foundation artist-in-residence at the Yerba Buena Center for the Arts, where his installation “Souls Harbor” was exhibited in Dec. In 1999 he was in-residence at The Headlands Center for the Arts where he produced several multi-projection 16mm film installations, including “Trespassing Sign” in collaboration with the late Margaret Kilgallen. In 2001 his hobo campfire installation “The Girl on the Train in the Moon” was included in “Widely Unknown” at Deitch Projects in New York. A veteran of the touring circuit, Daniel has programmed, booked and exhibited several mobile art shows. In 1997-98 he curated a weekly screening series, Funhouse Cinema, in Austin, that also weekly screened in Houston and San Antonio. Daniel is also recognized for his work as cinematographer and editor for filmmaker Craig Baldwin. Other endeavors include zines–contributing photography to The Western Roundup, a punk fanzine in 1981-82 designed by Michael Nott, and publishing/editing Detour, a situationist journal, in 1986. He is also the creator of an experimental sports league, The Texas Gas-Powered Leaf Blower Hockey Association.
Bill Daniel was awarded a John Simon Guggenheim Fellowship in 2008. He has exhibited film, photography and installation work at The Museum of Modern Art, New York; Sweets Lounge, Biloxi, MS; The New Museum, New York; Wayward Council, Gainesville, FL; Yerba Buena Center for the Arts, San Francisco; 24/7 House, Columbus, OH; Museum of Contemporary Art, Los Angeles; Beehive Collective, Machias, ME; Walker Arts Center, Minneapolis; Sky High Skateboards, Milwaukee, WI; IFFR, Rotterdam; OKC Infoshop, Oklahoma City; Redcat, Los Angeles; Moose Lodge #1735, Austin, TX; Deitch Projects, New York; Railroad Blues, Alpine, TX; Sluggos, Pensacola, FL; The Smell, Los Angeles; Plan B, New Orleans, and several hundred others.
CONTACT:
orangevan at billdaniel dot net
Jake Reinhart
Jake reads books written by alcoholics and perverts. Listens to music made by art students and criminals. Eats spicy food and rides his bicycle in traffic.
He spends a lot of time in a small dark room lit by a dim red light. The rest of his time is spent getting tattooed, taking photographs and traveling with his wife. She’s rad. He’s funny.
Look at his photographs and e-mail him at:
jake(at)shutterclank(dot)com
Contributors
The debut issue of Shutterclank! featured a unique and international selection of talent, presenting a wide range of photographic themes. Click on the links to find out more about the artists.
Bill Daniel
Texas-born, San Francisco exiled, and confirmed tramp, Bill Daniel continues to experiment with survivalism and bricolage in his attempts to record and report on the various social margins he finds himself in. Currently based on the Texas gulf coast, Daniel divides his time between Texas and touring.
Daniel’s work has received awards from Creative Capital, Film Arts Foundation, The Pioneer Fund, Texas Filmmaker Production Fund, the R & B Feder Charitable Foundation, and The Western States Media Alliance. He was a Wattis Foundation artist-in-residence at the Yerba Buena Center for the Arts, where his installation “Souls Harbor” was exhibited in Dec. In 1999 he was in-residence at The Headlands Center for the Arts where he produced several multi-projection 16mm film installations, including “Trespassing Sign” in collaboration with the late Margaret Kilgallen. In 2001 his hobo campfire installation “The Girl on the Train in the Moon” was included in “Widely Unknown” at Deitch Projects in New York. A veteran of the touring circuit, Daniel has programmed, booked and exhibited several mobile art shows. In 1997-98 he curated a weekly screening series, Funhouse Cinema, in Austin, that also weekly screened in Houston and San Antonio. Daniel is also recognized for his work as cinematographer and editor for filmmaker Craig Baldwin. Other endeavors include zines–contributing photography to The Western Roundup, a punk fanzine in 1981-82 designed by Michael Nott, and publishing/editing Detour, a situationist journal, in 1986. He is also the creator of an experimental sports league, The Texas Gas-Powered Leaf Blower Hockey Association.
Bill Daniel was awarded a John Simon Guggenheim Fellowship in 2008. He has exhibited film, photography and installation work at The Museum of Modern Art, New York; Sweets Lounge, Biloxi, MS; The New Museum, New York; Wayward Council, Gainesville, FL; Yerba Buena Center for the Arts, San Francisco; 24/7 House, Columbus, OH; Museum of Contemporary Art, Los Angeles; Beehive Collective, Machias, ME; Walker Arts Center, Minneapolis; Sky High Skateboards, Milwaukee, WI; IFFR, Rotterdam; OKC Infoshop, Oklahoma City; Redcat, Los Angeles; Moose Lodge #1735, Austin, TX; Deitch Projects, New York; Railroad Blues, Alpine, TX; Sluggos, Pensacola, FL; The Smell, Los Angeles; Plan B, New Orleans, and several hundred others.
CONTACT:
orangevan at billdaniel dot net
Jake Reinhart
Jake reads books written by alcoholics and perverts. Listens to music made by art students and criminals. Eats spicy food and rides his bicycle in traffic.
He spends a lot of time in a small dark room lit by a dim red light. The rest of his time is spent getting tattooed, taking photographs and traveling with his wife. She’s rad. He’s funny.
Look at his photographs and e-mail him at:
jake(at)shutterclank(dot)com